{"id":6541,"date":"2013-09-18T02:21:26","date_gmt":"2013-09-17T23:21:26","guid":{"rendered":"http:\/\/www.bghaber.org\/bghaber\/?p=6541"},"modified":"2019-07-14T19:30:57","modified_gmt":"2019-07-14T17:30:57","slug":"ulucan-kardeslerden-destansi-bir-album","status":"publish","type":"post","link":"https:\/\/www.bghaber.org\/bghaber\/ulucan-kardeslerden-destansi-bir-album\/","title":{"rendered":"Ulucan karde\u015flerden destans\u0131 bir alb\u00fcm"},"content":{"rendered":"<div>\n<p>Piyanist Birsen Ulucan ve keman-viyola sanat\u00e7\u0131s\u0131 \u00d6zcan Ulucan karde\u015fler, ikili alb\u00fcm \u00e7al\u0131\u015fmalar\u0131 \u201cSaga\u201dy\u0131 S\u00fcheyla Demir\u2019in sundu\u011fu Radyo Sohbetleri program\u0131nda anlatt\u0131.<!--more--><\/p>\n<\/div>\n<p><a href=\"https:\/\/i0.wp.com\/www.bghaber.org\/bghaber\/wp-content\/uploads\/2013\/09\/ulucan-kardeslerden-bulgaristandan-turkiyeye-uzayan-album.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-6542\" alt=\"ulucan-kardeslerden-bulgaristandan-turkiyeye-uzayan-album\" src=\"https:\/\/i0.wp.com\/www.bghaber.org\/bghaber\/wp-content\/uploads\/2013\/09\/ulucan-kardeslerden-bulgaristandan-turkiyeye-uzayan-album-300x174.jpg?resize=300%2C174\" width=\"300\" height=\"174\" \/><\/a>\u00dcnl\u00fc m\u00fczisyen karde\u015fler Birsen Ulucan ve \u00d6zcan Ulucan, klasik m\u00fczikseverlerin kar\u015f\u0131s\u0131na \u201cSaga\u201d ad\u0131n\u0131 verdikleri ortak bir alb\u00fcmle \u00e7\u0131kt\u0131.<\/p>\n<p>Alb\u00fcmde, Ahmed Adnan Saygun\u2019un keman-piyano s\u00fciti \u201cDemet\u201d, Leo\u0161 Jan\u00e1\u010dek\u2019in keman-piyano sonat\u0131 ve bir de Sergey Prokofiev\u2019in keman-piyano sonat\u0131 yorumlar\u0131 yer al\u0131yor. \u00d6zcan Ulucan, \u201cEserler, insano\u011flunun \u2018sava\u015f \u00e7eli\u015fkisini\u2019 sorguluyor. Dinleyenler alb\u00fcmde sava\u015f\u0131, ac\u0131y\u0131, insano\u011flunun \u00e7eli\u015fkisini duyabilir\u201d diyor.<\/p>\n<p>Daha \u00f6nce bir\u00e7ok kez birlikte sahne alan Ulucan karde\u015fler, ilk defa ikili alb\u00fcm \u00e7\u0131kard\u0131. Birsen Ulucan ikili alb\u00fcm projelerini \u015fimdiye b\u0131rakmalar\u0131n\u0131n bir nedeni oldu\u011funu s\u00f6yl\u00fcyor: \u201cKarde\u015fim \u00d6zcan\u2019la \u00e7ocuklu\u011fumuzdan beri beraber \u00e7al\u0131yoruz. Ama ikili olarak ilk alb\u00fcm\u00fcm\u00fcz\u00fc \u015fimdi \u00e7\u0131kard\u0131k. Bunun sebebi repertuar olmamas\u0131 de\u011fil. B\u00fct\u00fcn e\u011fitimler ve ya\u015fanm\u0131\u015fl\u0131klardan sonra, tam da \u015fimdi, bu eserlerin \u00fczerine s\u00f6yleyebilece\u011fimiz ki\u015fisel birer s\u00f6z\u00fcm\u00fcz oldu\u011funu d\u00fc\u015f\u00fcnd\u00fck.\u201d<\/p>\n<p>Birsen ve \u00d6zcan Ulucan, son alb\u00fcmleri Saga\u2019yla S\u00fcheyla Demir\u2019in sundu\u011fu Radyo Sohbetleri program\u0131na konuk oldu. M\u00fczisyen karde\u015fler; son alb\u00fcmlerini, Bulgaristan\u2019da ba\u015flay\u0131p T\u00fcrkiye\u2019ye uzanan sanat yolculuklar\u0131n\u0131 ve Rus klasik m\u00fczik ekol\u00fcn\u00fcn \u00f6nemli temsilcileri; Prokofyev, Rostropovi\u00e7 ve Maksim Vengerov\u2019u anlatt\u0131.<\/p>\n<p>\u201cHayat k\u0131sa; sanat uzun\u201d s\u00f6z\u00fcn\u00fc hat\u0131rlatan m\u00fczisyenler, sanat yolculuklar\u0131nda \u201cayr\u0131 ayr\u0131\u201d ve \u201cbirlikte\u201d y\u00fcr\u00fcmeye devam edeceklerini s\u00f6yl\u00fcyor.<\/p><div id=\"bghab-780157828\" class=\"bghab-icerik-icine bghab-entity-placement\"><script async src=\"\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js?client=ca-pub-6203283170189293\" crossorigin=\"anonymous\"><\/script><ins class=\"adsbygoogle\" style=\"display:block; text-align:center;\" data-ad-client=\"ca-pub-6203283170189293\" \ndata-ad-slot=\"7303146466\" \ndata-ad-layout=\"in-article\"\ndata-ad-format=\"fluid\" data-full-width-responsive=\"true\"><\/ins>\n<script> \n(adsbygoogle = window.adsbygoogle || []).push({}); \n<\/script>\n<\/div>\n<p>S\u00fcheyla Demir: Kar\u015f\u0131mda sanat\u00e7\u0131 bir aile var. \u00dc\u00e7\u00fcnc\u00fc karde\u015finiz Ay\u015fen Ulucan da keman \u00e7al\u0131yor. Bu \u201caile boyu bir sanat sevgisi\u201d nereden kaynaklan\u0131yor? Nas\u0131l bir m\u00fczik a\u015fk\u0131yla yeti\u015ftirildiniz?<\/p>\n<p>Birsen Ulucan: Babam\u0131n ve annemin sanat sevgisi, kendi anne ve babalar\u0131ndan ge\u00e7mi\u015f olmal\u0131. Dedem, her zaman keman \u00e7almak istermi\u015f, g\u00fczel bir sesi de varm\u0131\u015f ve \u00e7ocuklar i\u00e7in \u015fiirler yazarm\u0131\u015f. Babam\u0131n k\u00fc\u00e7\u00fckl\u00fc\u011f\u00fc Bulgaristan\u2019\u0131n \u00e7ok fakir oldu\u011fu d\u00f6neme denk gelir. Buna ra\u011fmen k\u00f6y ortam\u0131nda sanat\u0131 aram\u0131\u015flar. Babam ve annem Sofya\u2019da t\u0131p okurken sanat\u0131 da yak\u0131ndan tan\u0131mak istemi\u015fler. Opera ve tiyatrolar\u0131 hep takip edip, bizim \u015fu anda efsane m\u00fczisyenler olarak bildi\u011fimiz isimleri canl\u0131 dinleyebilmi\u015fler. Tabi ki sanat\u0131n \u00f6l\u00fcms\u00fcz bir \u015fey oldu\u011funu da bildikleri i\u00e7in \u00e7ocuklar\u0131n\u0131n m\u00fczikle u\u011fra\u015fmas\u0131n\u0131 arzu etmi\u015fler. Bizde m\u00fczik kula\u011f\u0131 oldu\u011funu g\u00f6r\u00fcnce de ellerinden geleni yapm\u0131\u015flar, \u015fehirden \u015fehre g\u00f6\u00e7 etmi\u015fler. Onlar i\u00e7in ilk s\u0131rada her zaman bizim e\u011fitimimiz olmu\u015f, \u00e7ok inand\u0131klar\u0131 i\u00e7in buna\u2026<\/p>\n<p>-Ailenin y\u00f6nlendirmesi yetenekle birle\u015fince \u00e7ok g\u00fczel bir sonu\u00e7 ortaya \u00e7\u0131km\u0131\u015f. Bulgaristan\u2019daki o gelene\u011fi iyi kullanmak, sonras\u0131nda T\u00fcrkiye\u2019ye gelip iyi hocalarla \u00e7al\u0131\u015fabilmek de \u00f6nemli bir fakt\u00f6r olsa gerek&#8230;<\/p>\n<p>B. U:Evet, bu hem de rahat etmemekten kaynaklanan bir \u015fey. Bu da zannediyorum \u00f6zellikle babamdan gelen bir \u015fey. Rahat etmek onun i\u00e7in \u00f6l\u00fcmd\u00fcr. Hep daha iyiyi, de\u011fi\u015fik olan\u0131 ara\u015ft\u0131r\u0131r. Bir \u015feyin daha olmas\u0131 i\u00e7in hep ara\u015ft\u0131rmak ve k\u0131p\u0131r k\u0131p\u0131r olmak, bize de yans\u0131d\u0131 bir d\u00fc\u015f\u00fcnce tarz\u0131 olarak.<\/p>\n<p>-\u00d6zcan, kariyerinizde Rus isimler \u00f6ne \u00e7\u0131k\u0131yor. Maxim Vengerov ve Viktor Pikaizen gibi d\u00fcnyaca \u00fcnl\u00fc Rus m\u00fczisyenler hocan\u0131zd\u0131. Sanat\u0131n\u0131zda Rus ekol\u00fc etkisinden bahsetmek m\u00fcmk\u00fcn m\u00fcd\u00fcr?<\/p><div id=\"bghab-4070410274\" class=\"bghab-icerik-icine-10-paragraf bghab-entity-placement\"><script async src=\"\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js?client=ca-pub-6203283170189293\" crossorigin=\"anonymous\"><\/script><ins class=\"adsbygoogle\" style=\"display:block; text-align:center;\" data-ad-client=\"ca-pub-6203283170189293\" \ndata-ad-slot=\"7303146466\" \ndata-ad-layout=\"in-article\"\ndata-ad-format=\"fluid\" data-full-width-responsive=\"true\"><\/ins>\n<script> \n(adsbygoogle = window.adsbygoogle || []).push({}); \n<\/script>\n<\/div>\n<p>\u00d6zcan Ulucan: Bulgaristan\u2019daki T\u00fcrk az\u0131nl\u0131\u011f\u0131ndan olmam\u0131z dolay\u0131s\u0131yla b\u00f6yle bir mant\u0131k kurulabilir. Bulgaristan\u2019daki ilk klasik m\u00fczik okulu Rusya\u2019dan etkilenmi\u015f, o \u015fekilde geli\u015fmi\u015f. Bizim de \u00fczerimizde oradan geldi\u011fimiz i\u00e7in mutlaka bir Rus k\u00fclt\u00fcr\u00fc hissi var. Fakat bir denge de olu\u015fmu\u015f. Daha \u00e7ok ya da az de\u011fil. Ama Rusya\u2019n\u0131n Sesi radyosuna konuk olmu\u015fken Rus m\u00fczisyenleri de konu\u015fmak isteriz\u2026<\/p>\n<p>B. U:Ruslar\u0131n duygusall\u0131\u011f\u0131 \u00fcnl\u00fcd\u00fcr, hatta karamsarl\u0131\u011f\u0131 da \u00fcnl\u00fcd\u00fcr. O y\u00fczden de e\u011fer bat\u0131yla ili\u015fkileri yoksa, Ruslar stil olarak klasikleri daha zor \u00e7alar, denir. Her \u015feyi \u00e7ok duygusal, \u00e7ok derinden alg\u0131larlar. Dostoyevski\u2019yi d\u00fc\u015f\u00fcn\u00fcrsek ya da Rahmaninov\u2019un m\u00fczi\u011fini, hepsinin karamsarl\u0131k i\u00e7eren fakat korkun\u00e7 duygusal derinlikleri olan eserleri var.<\/p>\n<p>VENGEROV, \u201cKAR\u015eILA\u015eMAMIZ KADER\u201d DEM\u0130\u015eT\u0130<\/p>\n<p>-Rus klasiklerini Rus hocalardan \u00f6\u011frenmek de sizin i\u00e7in ayr\u0131 bir avantaj olu\u015fturdu san\u0131r\u0131m.<\/p>\n<p>\u00d6.U: Do\u011fru, evet. Son alb\u00fcm\u00fcm\u00fczdeki \u00fc\u00e7 eserden biri Prokofyev\u2019in birinci keman,piyano sonat\u0131&#8230; O sonat\u0131 de\u011ferli usta m\u00fczisyen Maxim Vengerov ile \u00e7al\u0131\u015fma olana\u011f\u0131n\u0131 buldu\u011fumuz i\u00e7in \u00e7ok mutluyuz. Onunla tan\u0131\u015fma hikayemiz kader gibi&#8230; Ben Almanya\u2019da Saarbr\u00fccken \u015fehrinde y\u00fcksek lisans yaparken bir profes\u00f6r de\u011fi\u015fikli\u011finden s\u00f6z a\u00e7\u0131ld\u0131 o okulda. Valeri Klimov hocam\u0131z\u0131n emeklilik ya\u015f\u0131 gelmi\u015fti. Onun yerine demek ki yine bir Rus \u00f6\u011fretmeni d\u00fc\u015f\u00fcnd\u00fcler ve \u201cMaxim Vengerov geliyor\u201d dediler. Biz \u015fa\u015f\u0131rd\u0131k biraz. \u00c7\u00fcnk\u00fc Vengerov, \u00e7ok yo\u011fun kariyeri olan, solist olarak her g\u00fcn d\u00fcnyan\u0131n ba\u015fka yerinde konser veren, iki tane klasik m\u00fczik dal\u0131nda Gmammy \u00f6d\u00fcl\u00fc alan bir ki\u015fi&#8230; Orada o k\u00fc\u00e7\u00fck \u015fehre nas\u0131l geldi diye \u015fa\u015f\u0131rd\u0131k. Ve \u00f6yle oldu ki ben onun ilk \u00f6\u011frencisi oldum. \u0130lk s\u0131nav\u0131mda da Birsen geldi, hem e\u015flik etmek ve destek olmak hem de kendisiyle tan\u0131\u015fmak i\u00e7in. \u00c7ald\u0131ktan sonra yan\u0131m\u0131za gelmi\u015f ve \u201c\u00c7ok be\u011fendim. Bizim kar\u015f\u0131la\u015fmam\u0131z tesad\u00fcf de\u011fil. Ben de sizin gibi g\u00f6\u00e7menim. Ben de ailemle Rusya\u2019dan Avrupa\u2019ya g\u00f6\u00e7 ettim. Siz de b\u00f6ylesiniz ve bu bir tesad\u00fcf de\u011fil\u201d demi\u015fti. Bize s\u00f6zleriyle \u00e7ok g\u00fczel destek vermi\u015fti. \u201c\u00c7ok be\u011fendim, tabi ki alaca\u011f\u0131m seni s\u0131n\u0131f\u0131ma\u201d demi\u015fti. Birsen\u2019i de s\u0131n\u0131f\u0131n resmi piyanisti olarak \u00f6nermi\u015fti.<\/p><div id=\"bghab-3081494317\" class=\"bghab-icerik-icine-15-paragraf bghab-entity-placement\"><script async src=\"\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js?client=ca-pub-6203283170189293\" crossorigin=\"anonymous\"><\/script><ins class=\"adsbygoogle\" style=\"display:block; text-align:center;\" data-ad-client=\"ca-pub-6203283170189293\" \ndata-ad-slot=\"7303146466\" \ndata-ad-layout=\"in-article\"\ndata-ad-format=\"fluid\" data-full-width-responsive=\"true\"><\/ins>\n<script> \n(adsbygoogle = window.adsbygoogle || []).push({}); \n<\/script>\n<\/div>\n<p>B. U:Ben o s\u0131rada \u0130ngiliz vatanda\u015fl\u0131\u011f\u0131na m\u00fcracaat etmi\u015ftim ama pasaportumu oradan \u00e7ekip Saarbr\u00fccken\u2019e gitmeye karar verdim. Ald\u0131\u011f\u0131m en \u00f6nemli, en do\u011fru kararlardan biriydi.<\/p>\n<p>-Ve hocan\u0131z Maxim Vengerov hakk\u0131n\u0131zda \u00e7ok g\u00fczel bir yorum yapm\u0131\u015f. Sizin i\u00e7in \u201cEn ba\u015far\u0131l\u0131 \u00f6\u011frencilerimden, sahnede m\u00fczik felsefemi en do\u011fru \u015fekilde takip eden isimlerden\u201d demi\u015f. Emeklerini bo\u015fa \u00e7\u0131karmam\u0131\u015fs\u0131n\u0131z&#8230;<\/p>\n<p>\u00d6.U: Bo\u015fa \u00e7\u0131karmamaya bakt\u0131m. Benim i\u00e7in bunun en g\u00fczel \u00f6d\u00fcl\u00fc; Vengerov ile beraber bir\u00e7ok kere ayn\u0131 sahnede hem bedenen hem ruhen yan yana \u00e7almak, m\u00fczik yapmak&#8230; Konserlerimiz hayat\u0131m\u0131n en de\u011ferli anlar\u0131ndand\u0131r. T\u00fcrkiye ve Macaristan\u2019da, Londra\u2019da Albert Hall\u2019de, Amsterdam\u2019da bir\u00e7ok \u00fcnl\u00fc yerlerde \u00e7ald\u0131k. Bu tabi ki bir yandan \u201ckariyer\u201d anlam\u0131nda belki \u00f6nemli gibi olsa da ben b\u00fcy\u00fck bir kariyere gitmedim. Fakat manevi doyum ve ba\u011f\u0131ms\u0131zl\u0131k hissi ya\u015fad\u0131m. Bundan da \u00e7ok memnuniyetsiz de\u011filim. Vengerov\u2019la b\u00f6yle bir ustayla sahnelerde olmak, sanki bana \u201cmuhalefetin g\u00fcc\u00fc\u201d hissi veriyor. Alternatif bir his veriyor.<\/p>\n<p>-Efsanevi Rus \u00e7ellist ve orkestra \u015fefi Rostropovi\u00e7\u2019le de ayn\u0131 sahnede yer ald\u0131n\u0131z. Bu nas\u0131l bir and\u0131?<\/p>\n<p>\u00d6.U: Biz kendisiyle iki g\u00fcn temasta bulunduk. O koskoca hayat\u0131n, insan\u0131n her \u015feyini tabi ki tan\u0131yamam. Biz onu g\u0131yaben kitaplardan, anlat\u0131lardan tan\u0131yoruz. K\u0131sa s\u00fcrede de olsa izlenimim \u015f\u00f6yleydi: Yo\u011fun \u00e7eli\u015fki dolu, belki bir s\u00fcr\u00fc korku dolu d\u00f6nemler ya\u015fam\u0131\u015f. Sonradan Bat\u0131 d\u00fcnyas\u0131 \u015eostakovi\u00e7 gibi ona da b\u00fcy\u00fck hayranl\u0131kla kucak a\u00e7m\u0131\u015f ve b\u00fcy\u00fck bir kariyer yapm\u0131\u015f. Sahneye \u00e7\u0131kt\u0131\u011f\u0131m\u0131zda art\u0131k 70 k\u00fcs\u00fcr ya\u015flar\u0131ndayd\u0131 ve melekle\u015fmi\u015f, ar\u0131nm\u0131\u015f, sanki hayat\u0131n o de\u011ferli \u201c\u00f6z\u00fcne\u201d ula\u015fm\u0131\u015f bir insan gibiydi. Bir yandan sakin ama bir yandan da co\u015fkusunu kaybetmemi\u015f, sanat a\u015fk\u0131 ve sanat\u0131n erdemleriyle bu hale gelmi\u015f bir ki\u015fi&#8230;<\/p><div id=\"bghab-1030353515\" class=\"bghab-icerik-icine-20-paragraf bghab-entity-placement\"><script async src=\"\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js?client=ca-pub-6203283170189293\" crossorigin=\"anonymous\"><\/script><ins class=\"adsbygoogle\" style=\"display:block; text-align:center;\" data-ad-client=\"ca-pub-6203283170189293\" \ndata-ad-slot=\"7303146466\" \ndata-ad-layout=\"in-article\"\ndata-ad-format=\"fluid\" data-full-width-responsive=\"true\"><\/ins>\n<script> \n(adsbygoogle = window.adsbygoogle || []).push({}); \n<\/script>\n<\/div>\n<p>ALB\u00dcM END\u00dcSTR\u0130S\u0130DEN KA\u00c7INIYORUZ<\/p>\n<p>-\u015eimdi gelelim son alb\u00fcm\u00fcn\u00fcze&#8230; \u0130ki karde\u015f ortak alb\u00fcm yapmaya nas\u0131l karar verdiniz?<\/p>\n<p>B. U:Biz \u00d6zcan\u2019la beraber \u00e7almaya ben 7 ya\u015f\u0131ndayken ba\u015flad\u0131k. Neredeyse 30 y\u0131ld\u0131r birlikte \u00e7al\u0131\u015f\u0131yoruz. \u0130kili olarak ilk alb\u00fcm\u00fcm\u00fcz\u00fc \u015fimdi \u00e7\u0131kard\u0131k. Bunun sebebi repertuar olmamas\u0131 de\u011fil. Tabi ki repertuar var. Fakat b\u00fct\u00fcn bu e\u011fitimlerden ve ya\u015fanm\u0131\u015fl\u0131klardan sonra, tam da \u015fimdi, bu eserlerin \u00fczerine s\u00f6yleyebilece\u011fimiz ki\u015fisel birer s\u00f6z\u00fcm\u00fcz oldu\u011funu d\u00fc\u015f\u00fcnd\u00fck. Onun i\u00e7in de bu alb\u00fcm\u00fc yapmaya karar verdik. Yoksa y\u0131lda en az 2-3 alb\u00fcm \u00e7\u0131kart\u0131labilir. Repertuar var \u00e7\u00fcnk\u00fc\u2026 Ama o bir end\u00fcstridir ve biz bundan ka\u00e7\u0131n\u0131yoruz. Bundan sonra \u00e7ok s\u0131k olmamakla birlikte yine ikili olarak devam edebiliriz repertuar\u0131m\u0131z\u0131 geli\u015ftirmeye.<\/p>\n<p>Alb\u00fcm\u00fcn i\u00e7eri\u011fine gelince, hepsi \u00e7ok sevdi\u011fimiz, senelerdir \u00e7al\u0131\u015ft\u0131\u011f\u0131m\u0131z ve sahnede de \u00e7ald\u0131\u011f\u0131m\u0131z eserler. Bu \u015fekilde kal\u0131c\u0131 olmalar\u0131n\u0131 istedik. \u00c7\u00fcnk\u00fc \u00e7ok \u00f6zel olduklar\u0131n\u0131, \u00e7ok da \u00e7al\u0131nmad\u0131klar\u0131n\u0131 d\u00fc\u015f\u00fcnd\u00fck. Adnan Saygun, T\u00fcrkiye\u2019de \u00e7al\u0131n\u0131yor ama yurtd\u0131\u015f\u0131nda pek bilinmiyor. Di\u011ferleri de pek fazla pop\u00fcler olan ve s\u0131k kaydedilen eserler s\u0131n\u0131f\u0131na girmiyor.<\/p>\n<p>\u00d6.U: Alb\u00fcmdeki eserler, 20. yy. eserleri ve b\u00fcy\u00fck bir b\u00f6l\u00fcm\u00fc ac\u0131y\u0131, sava\u015ftaki \u00e7eli\u015fkiyi yans\u0131t\u0131yor. Besteciler bu eserlerinde sava\u015f denen k\u00f6t\u00fcn\u00fcn muammas\u0131n\u0131 sorguluyor.<\/p><div id=\"bghab-355353202\" class=\"bghab-icerik-icine-25-paragraf bghab-entity-placement\"><script async src=\"\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js?client=ca-pub-6203283170189293\" crossorigin=\"anonymous\"><\/script><ins class=\"adsbygoogle\" style=\"display:block; text-align:center;\" data-ad-client=\"ca-pub-6203283170189293\" \ndata-ad-slot=\"7303146466\" \ndata-ad-layout=\"in-article\"\ndata-ad-format=\"fluid\" data-full-width-responsive=\"true\"><\/ins>\n<script> \n(adsbygoogle = window.adsbygoogle || []).push({}); \n<\/script>\n<\/div>\n<p>B. U:Asl\u0131nda g\u00fcn\u00fcm\u00fcz\u00fcn bir ger\u00e7ekli\u011fi b\u00fct\u00fcn bunlar. O y\u00fczden \u00e7ok g\u00fcncel eserler.<\/p>\n<p>ALB\u00dcM\u00dcM\u00dcZDE \u201c\u0130NSANO\u011eLUNUN \u00c7EL\u0130\u015eK\u0130S\u0130\u201d H\u0130SSED\u0130LEB\u0130L\u0130R<\/p>\n<p>-Evet, sava\u015f hissinin bir\u00e7ok b\u00f6lgede hissedildi\u011fi bir d\u00f6nemin i\u00e7indeyiz. Tam da bu g\u00fcncellikte m\u00fczi\u011fin bar\u0131\u015f\u0131 \u00e7a\u011f\u0131ran, bar\u0131\u015f\u0131 ya\u015fatan hissini duymaya \u00e7ok ihtiyac\u0131m\u0131z var. Belki de alb\u00fcm\u00fcn\u00fcz bu anlamda da \u00e7ok \u00f6zel bir \u00f6neme sahip.<\/p>\n<p>\u00d6.U: Evet, Prokofyev\u2019in eserinin ikinci b\u00f6l\u00fcm\u00fcnde sava\u015f\u0131 duyabilirsiniz. Eserde ac\u0131 ve k\u00f6t\u00fcye kar\u015f\u0131 tepki var. Eserlerin \u00fc\u00e7\u00fc de insano\u011flunun bu \u201csava\u015f \u00e7eli\u015fkisini\u201d sorguluyor. \u0130nsano\u011flunu, sava\u015f\u0131n prizmas\u0131ndan sorguluyor. Bu alb\u00fcmde sava\u015f\u0131, ac\u0131y\u0131, insano\u011flunun \u00e7eli\u015fkisini duyabilir dinleyen.<\/p>\n<p>B. U:Belki sava\u015f demeyebiliriz de, bu bir ki\u015fisel yorum. \u0130nsan kendi i\u00e7inde de sava\u015flar ya\u015far, \u00fcmitler bar\u0131nd\u0131r\u0131r, sevgi de bar\u0131nd\u0131r\u0131r. Hangisinin \u00fcst\u00fcn geldi\u011fi, hangisine yol verdi\u011finiz, hangisini besledi\u011finiz \u00f6nemli. Dinlerken sava\u015f kavram\u0131n\u0131 bir ki\u015filik olarak da d\u00fc\u015f\u00fcnebilir insan.<\/p><div id=\"bghab-2399891893\" class=\"bghab-icerik-icine-30-paragraf bghab-entity-placement\"><script async src=\"\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js?client=ca-pub-6203283170189293\" crossorigin=\"anonymous\"><\/script><ins class=\"adsbygoogle\" style=\"display:block; text-align:center;\" data-ad-client=\"ca-pub-6203283170189293\" \ndata-ad-slot=\"7303146466\" \ndata-ad-layout=\"in-article\"\ndata-ad-format=\"fluid\" data-full-width-responsive=\"true\"><\/ins>\n<script> \n(adsbygoogle = window.adsbygoogle || []).push({}); \n<\/script>\n<\/div>\n<p>\u00d6.U: Tabi, sonu\u00e7ta sava\u015f ya\u015famayan bir insan sava\u015fla empati kuramayabilir. Biz eserlerimizin t\u00fcm bunlar\u0131 sorgulay\u0131p cevaplar bulmak i\u00e7in uygun eserler oldu\u011funu d\u00fc\u015f\u00fcn\u00fcyoruz. Bu nedenle anne babam\u0131za bizi sanata y\u00f6nlendirdikleri i\u00e7in minnettar\u0131z. \u00c7\u00fcnk\u00fc insano\u011flunun en masum sorgulama bi\u00e7imidir sanat. Sanat \u201cNeden var\u0131z ve bizdeki g\u00fczellikler neler? Ya\u015fama amac\u0131m\u0131z, \u015fevkimiz nedir?\u201d bunlar\u0131 sorgular. Alb\u00fcm\u00fcm\u00fczdeki eserler kesinlikle pop\u00fclist kayg\u0131larla, para kayg\u0131s\u0131yla yaz\u0131lmam\u0131\u015ft\u0131r zaten. Sergey Prokofyev kendi i\u00e7inde \u00e7\u0131lg\u0131n bir yanarda\u011f gibi bir eser yazm\u0131\u015f. Kendisi zaten ki\u015filik olarak \u201ceksantrik\u201d bilinir. B\u00f6yle \u00e7\u0131lg\u0131n bir yerde\u2026<\/p>\n<p>B. U:Disiplinli, a\u015f\u0131r\u0131, tak\u0131nt\u0131l\u0131 ama \u00f6zg\u00fcr\u2026 Yani hayal g\u00fcc\u00fc m\u00fcthi\u015f. Mesela Vengerov \u201c20. y\u00fczy\u0131l\u0131n tek dehas\u0131 Prokofyev\u2019dir\u201d diyordu.<\/p>\n<p>HAYAT KISA; SANAT UZUN<\/p>\n<p>-Bundan sonra nas\u0131l \u00e7al\u0131\u015fmalar yapmay\u0131 planl\u0131yorsunuz?<\/p>\n<p>B. U:Biz de bilmiyoruz. Fakat bir\u00e7ok eser \u00e7al\u0131\u015f\u0131yoruz.<\/p><div id=\"bghab-4289774280\" class=\"bghab-icerik-icine-35-paragraf bghab-entity-placement\"><script async src=\"\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js?client=ca-pub-6203283170189293\" crossorigin=\"anonymous\"><\/script><ins class=\"adsbygoogle\" style=\"display:block; text-align:center;\" data-ad-client=\"ca-pub-6203283170189293\" \ndata-ad-slot=\"7303146466\" \ndata-ad-layout=\"in-article\"\ndata-ad-format=\"fluid\" data-full-width-responsive=\"true\"><\/ins>\n<script> \n(adsbygoogle = window.adsbygoogle || []).push({}); \n<\/script>\n<\/div>\n<p>\u00d6zcan Ulucanlar: Konserimiz var 16 Aral\u0131k\u2019ta, S\u00fcreyya Operas\u0131\u2019nda, sevenlerimizi bekleriz. Tekrar \u201cUlucan karde\u015fler\u201d olarak sahnede olaca\u011f\u0131z. Sonra Ay\u015fen\u2019le ben 21 Kas\u0131m\u2019da sahne alaca\u011f\u0131z. Belki yine \u00fc\u00e7l\u00fc bir alb\u00fcm d\u00fc\u015f\u00fcnebiliriz ya da bir orkestra e\u015fli\u011finde. Biz ne kadar g\u00fczel enerjimiz varsa onu yapt\u0131\u011f\u0131m\u0131z i\u015fe vermek isteriz. \u00c7\u00fcnk\u00fc ne kadar \u00e7ok \u015fey yapsak da hep az gibi bir his var i\u00e7imizde\u2026<\/p>\n<p>-Yani Ulucan karde\u015fler yola birlikte devam edecek ve yollar\u0131 da uzun&#8230;<\/p>\n<p>B. U:Evet sonsuz. \u201cAyr\u0131 ayr\u0131\u201d ve \u201cbirlikte\u2026\u201d<\/p>\n<p>\u00d6.U: \u201cArs longa vita brevis\u201d yani \u201chayat k\u0131sa; sanat uzun\u2026\u201d Evet, sanat bizden \u00f6nce de vard\u0131 bizden sonra da olacak biz o yoldaki iletkenlerden biriyiz.<\/p>\n<p>&nbsp;<\/p><div id=\"bghab-1737793771\" class=\"bghab-icerik-icine-40-paragraf bghab-entity-placement\"><script async src=\"\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js?client=ca-pub-6203283170189293\" crossorigin=\"anonymous\"><\/script><ins class=\"adsbygoogle\" style=\"display:block; text-align:center;\" data-ad-client=\"ca-pub-6203283170189293\" \ndata-ad-slot=\"7303146466\" \ndata-ad-layout=\"in-article\"\ndata-ad-format=\"fluid\" data-full-width-responsive=\"true\"><\/ins>\n<script> \n(adsbygoogle = window.adsbygoogle || []).push({}); \n<\/script>\n<\/div>\n<p>RS FM<\/p>\n<div id=\"bghab-3680995358\" class=\"bghab-yazi-altinda bghab-entity-placement\"><div class=\"bghab-adlabel\">Reklamlar<\/div><script async src=\"https:\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js\"><\/script>\r\n<!-- bghaber-yaz\u0131-sonu -->\r\n<ins class=\"adsbygoogle\"\r\n     style=\"display:block\"\r\n     data-ad-client=\"ca-pub-6203283170189293\"\r\n     data-ad-slot=\"4222328180\"\r\n     data-ad-format=\"auto\"\r\n     data-full-width-responsive=\"true\"><\/ins>\r\n<script>\r\n     (adsbygoogle = window.adsbygoogle || []).push({});\r\n<\/script><\/div><br style=\"clear: both; display: block; float: none;\"\/>","protected":false},"excerpt":{"rendered":"<p>Piyanist Birsen Ulucan ve keman-viyola sanat\u00e7\u0131s\u0131 \u00d6zcan Ulucan karde\u015fler, ikili alb\u00fcm \u00e7al\u0131\u015fmalar\u0131 \u201cSaga\u201dy\u0131 S\u00fcheyla Demir\u2019in sundu\u011fu Radyo Sohbetleri program\u0131nda anlatt\u0131.<\/p>\n","protected":false},"author":29,"featured_media":6542,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[10],"tags":[30],"class_list":["post-6541","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-bulgaristan"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.bghaber.org\/bghaber\/wp-content\/uploads\/2013\/09\/ulucan-kardeslerden-bulgaristandan-turkiyeye-uzayan-album.jpg?fit=460%2C268&ssl=1","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[],"jetpack_shortlink":"https:\/\/wp.me\/pc2PfJ-1Hv","_links":{"self":[{"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/posts\/6541","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/users\/29"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/comments?post=6541"}],"version-history":[{"count":0,"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/posts\/6541\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/media\/6542"}],"wp:attachment":[{"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/media?parent=6541"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/categories?post=6541"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/tags?post=6541"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}