{"id":56820,"date":"2022-03-18T12:37:34","date_gmt":"2022-03-18T09:37:34","guid":{"rendered":"https:\/\/www.bghaber.org\/bghaber\/?p=56820"},"modified":"2022-03-22T00:12:37","modified_gmt":"2022-03-21T21:12:37","slug":"ivan-milevin-ilk-uluslararasi-sergisi-aciliyor","status":"publish","type":"post","link":"https:\/\/www.bghaber.org\/bghaber\/ivan-milevin-ilk-uluslararasi-sergisi-aciliyor\/","title":{"rendered":"\u0130van Milev&#8217;in ilk uluslararas\u0131 sergisi a\u00e7\u0131l\u0131yor"},"content":{"rendered":"<h3>Roma&#8217;da ressam\u0131n simgesel &#8220;Ahinora&#8221; eseri g\u00f6steriliyor.<\/h3>\n<p>Kazanlak&#8217;taki Sanat Galerisi M\u00fcd\u00fcr\u00fc Dr. Plamen Petrov, Bulgaristan Radyosu&#8217;na verdi\u011fi deme\u00e7te, yabanc\u0131 izleyicilerin ilk kez b\u00fcy\u00fck Bulgar ressmlardan biri olan \u0130van Milev&#8217;in eserini g\u00f6rme f\u0131rsat\u0131na sahip olacaklar\u0131n\u0131 s\u00f6yl\u00fcyor. Ekibinin \u00e7abalar\u0131 ve Roma&#8217;daki Bulgar K\u00fclt\u00fcr Enstit\u00fcs\u00fc ile i\u015fbirli\u011fi i\u00e7inde, 17 Mart &#8211; 29 Nisan tarihleri \u200b\u200baras\u0131nda, \u0130talya&#8217;n\u0131n ba\u015fkentindeki \u201cBulgaria\u201d Galerisi, \u0130van Milev&#8217;in (1897-1927) 20 eserini g\u00f6sterecek.<\/p>\n<p>Roma&#8217;daki Bulgar K\u00fclt\u00fcr Enstit\u00fcs\u00fc m\u00fcd\u00fcr\u00fc Jana Yakovleva anlat\u0131yor:<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"fade\" src=\"https:\/\/i0.wp.com\/static.bnr.bg\/gallery\/cr\/6b0624f5d657c3706075968591f7daf5.jpg?w=640\" alt=\"\" data-loaded=\"true\" \/><\/p>\n<p>&#8220;Sergi, haf\u0131zam\u0131z ve d\u00fcnyadaki b\u00fcy\u00fck Bulgar sanat\u00e7\u0131lar\u0131n tan\u0131t\u0131m\u0131 i\u00e7in \u00f6nemlidir. \u00c7\u00fcnk\u00fc bunlar bizim Bulgar oldu\u011fumuzun gurur kayna\u011f\u0131d\u0131r. \u0130<b>van Milev sadece yerel k\u00fclt\u00fcr de\u011fil, ayn\u0131 zamanda Avrupa k\u00fclt\u00fcr\u00fc i\u00e7in de simgesel bir sanat\u00e7\u0131d\u0131r. &#8221;\u00a0<\/b><\/p>\n<p>Roma\u2019daki sergi, Bulgar ressam\u0131n\u0131n do\u011fumunun 125. y\u0131ld\u00f6n\u00fcm\u00fcne adanm\u0131\u015ft\u0131r. Fakir bir ailedebir \u00e7oban ve cahil , ancakg\u00fczelli\u011fi i\u00e7inde ta\u015f\u0131yan ince zevkli bir anne taraf\u0131ndan yeti\u015firilen \u0130van, aile gelene\u011fini bozdu ve kendini sanata adad\u0131. Bu bir sava\u015f s\u0131ras\u0131nda olur. 1916 sonbahar\u0131nda liseden mezun olmadan k\u0131sa bir s\u00fcre \u00f6nce, Birinci D\u00fcnya Sava\u015f\u0131 s\u0131ras\u0131nda askeri sanat\u00e7\u0131 olarak seferber edildi. Cephede ge\u00e7en iki y\u0131ll\u0131k s\u00fcre, \u00e7al\u0131\u015fmalar\u0131n\u0131 ciddi \u015fekilde etkiledi, ancak onu resim yapmaktan al\u0131koymad\u0131. Uzmanlar, Ivan Milev&#8217;i Bulgar g\u00fczel sanat\u0131nda tempera ve suluboya tekni\u011finin en b\u00fcy\u00fck ustalar\u0131ndan biri olarak tan\u0131ml\u0131yor. Eserlerinde s\u0131kl\u0131kla Gustav Klimt ve Vasily Kandinsky&#8217;nin etkisini g\u00f6r\u00fcrler.<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"fade\" src=\"https:\/\/i0.wp.com\/static.bnr.bg\/gallery\/cr\/b09f7b9cad2b55f206271de36cc10593.jpg?w=640\" alt=\"\u0130van Milev \u201eZadu\u015fnitsa\u201c, 1923 y.\" data-loaded=\"true\" \/><\/p>\n<p>Ne yaz\u0131k ki, uzun y\u0131llar s\u00fcren yoksul ve zor ya\u015fam sa\u011fl\u0131\u011f\u0131n\u0131 etkiledi ve 25 Ocak 1927&#8217;de Sofya&#8217;da otuz ya\u015f\u0131na gelmeden sadece \u00fc\u00e7 hafta \u00f6nce gripten \u00f6ld\u00fc. Bug\u00fcn sanat\u00e7\u0131n\u0131n resmi be\u015f leva&#8217;l\u0131k banknotun \u00fczerindedir.<\/p><div id=\"bghab-1792992421\" class=\"bghab-icerik-icine bghab-entity-placement\"><script async src=\"\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js?client=ca-pub-6203283170189293\" crossorigin=\"anonymous\"><\/script><ins class=\"adsbygoogle\" style=\"display:block; text-align:center;\" data-ad-client=\"ca-pub-6203283170189293\" \ndata-ad-slot=\"7303146466\" \ndata-ad-layout=\"in-article\"\ndata-ad-format=\"fluid\" data-full-width-responsive=\"true\"><\/ins>\n<script> \n(adsbygoogle = window.adsbygoogle || []).push({}); \n<\/script>\n<\/div>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"fade\" src=\"https:\/\/i0.wp.com\/static.bnr.bg\/gallery\/cr\/66ba67cae8002f4c822ceddd83660f53.jpg?w=640\" alt=\"\" data-loaded=\"true\" \/><\/p>\n<p>\u201c\u0130Ivan Milev, Kazanlak&#8217;ta do\u011fup b\u00fcy\u00fcd\u00fc ve \u015fehrin Sanat Galerisi, sanat\u00e7\u0131n\u0131n \u00f6l\u00fcm\u00fcnden sonra annesi ve erkek karde\u015fi taraf\u0131ndan ba\u011f\u0131\u015flanan en geni\u015f eser yelpazesini koruyor. Milev&#8217;in en sembolik eserlerinden biri olan &#8220;Ahinora&#8221; Kazanlak&#8217;ta korunmaktad\u0131r\u201d.<\/p>\n<p>&#8220;Bu onun 1917-1919 aras\u0131ndaki g\u00fcnl\u00fckleri hakk\u0131nda. Ivan Milev&#8217;in ki\u015fili\u011finin ilgin\u00e7 n\u00fcanslar\u0131n\u0131 ortaya \u00e7\u0131karan \u015fiirsel deneyleri ve ki\u015fisel yaz\u0131\u015fmalar\u0131.\u201d<\/p>\n<p>Kazanlak&#8217;taki galeri, 19 Mart&#8217;ta koleksiyonunda depolanan 120&#8217;den fazla eseri i\u00e7eren geni\u015f bir katalog sunacak.<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/static.bnr.bg\/gallery\/cr\/90afd0790abc59aab785482587ab168e.jpg?w=640\" alt=\"\u0130van Milev, \u201eOtoportre\u201c.\" data-loaded=\"true\" \/><\/p>\n<p>Ve birileri bug\u00fcn gibi g\u00fcnlerde sanat izlemek i\u00e7in zamana ve enerjiye ihtiyac\u0131m\u0131z olup olmad\u0131\u011f\u0131n\u0131 merak ederse, Jana Yakovleva cevap veriyor<\/p>\n<p>&#8220;\u00c7ok zor bir zamanda ya\u015f\u0131yoruz. Mesele \u015fu ki, bu anlarda bir \u015fekilde sanat\u0131 korumak ve onunla birlikte ya\u015fad\u0131klar\u0131m\u0131z\u0131 anlatmak ve g\u00f6stermek i\u00e7in denememiz gerekiyor.\u00a0D\u00fcnyan\u0131n haf\u0131zaya ihtiyac\u0131 var.<\/p><div id=\"bghab-1833845130\" class=\"bghab-icerik-icine-10-paragraf bghab-entity-placement\"><script async src=\"\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js?client=ca-pub-6203283170189293\" crossorigin=\"anonymous\"><\/script><ins class=\"adsbygoogle\" style=\"display:block; text-align:center;\" data-ad-client=\"ca-pub-6203283170189293\" \ndata-ad-slot=\"7303146466\" \ndata-ad-layout=\"in-article\"\ndata-ad-format=\"fluid\" data-full-width-responsive=\"true\"><\/ins>\n<script> \n(adsbygoogle = window.adsbygoogle || []).push({}); \n<\/script>\n<\/div>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/static.bnr.bg\/gallery\/cr\/ede7dfd90d574d82a33ec843b5a5b329.jpg?w=640\" alt=\"\u0130van Milev, \u201eBalkan\u201c, 1922 y.\" data-loaded=\"true\" \/><\/p>\n<p>Foto: Roma&#8217;da Bulgar K\u00fclt\u00fcr Enstit\u00fcs\u00fc, Kazanl\u0131k Sanat Galerisi, ar\u015fiv, BNR<\/p>\n<div id=\"bghab-882563256\" class=\"bghab-yazi-altinda bghab-entity-placement\"><div class=\"bghab-adlabel\">Reklamlar<\/div><script async src=\"https:\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js\"><\/script>\r\n<!-- bghaber-yaz\u0131-sonu -->\r\n<ins class=\"adsbygoogle\"\r\n     style=\"display:block\"\r\n     data-ad-client=\"ca-pub-6203283170189293\"\r\n     data-ad-slot=\"4222328180\"\r\n     data-ad-format=\"auto\"\r\n     data-full-width-responsive=\"true\"><\/ins>\r\n<script>\r\n     (adsbygoogle = window.adsbygoogle || []).push({});\r\n<\/script><\/div><br style=\"clear: both; display: block; float: none;\"\/>","protected":false},"excerpt":{"rendered":"<p>Roma&#8217;da ressam\u0131n simgesel &#8220;Ahinora&#8221; eseri g\u00f6steriliyor. Kazanlak&#8217;taki Sanat Galerisi M\u00fcd\u00fcr\u00fc Dr. Plamen Petrov, Bulgaristan Radyosu&#8217;na verdi\u011fi deme\u00e7te, yabanc\u0131 izleyicilerin ilk kez b\u00fcy\u00fck Bulgar ressmlardan biri<\/p>\n","protected":false},"author":13,"featured_media":56821,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1,10],"tags":[],"class_list":["post-56820","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haberler","category-kultur-sanat"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.bghaber.org\/bghaber\/wp-content\/uploads\/2022\/03\/ressam.jpg?fit=925%2C520&ssl=1","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[],"jetpack_shortlink":"https:\/\/wp.me\/pc2PfJ-eMs","_links":{"self":[{"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/posts\/56820","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/comments?post=56820"}],"version-history":[{"count":0,"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/posts\/56820\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/media\/56821"}],"wp:attachment":[{"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/media?parent=56820"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/categories?post=56820"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/tags?post=56820"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}