{"id":27901,"date":"2018-03-04T16:00:48","date_gmt":"2018-03-04T13:00:48","guid":{"rendered":"http:\/\/www.bghaber.org\/bghaber\/?p=27901"},"modified":"2019-07-06T20:57:44","modified_gmt":"2019-07-06T17:57:44","slug":"bulgaristanda-resim-sanatinda-ogretmen-ogrencileri-projesi","status":"publish","type":"post","link":"https:\/\/www.bghaber.org\/bghaber\/bulgaristanda-resim-sanatinda-ogretmen-ogrencileri-projesi\/","title":{"rendered":"Bulgaristan&#8217;da \u201cResim sanat\u0131nda \u00f6\u011fretmen ve \u00f6\u011frencileri\u201d projesi"},"content":{"rendered":"<p>\u00d6\u011frenciyi,\u00a0yetenekli bir \u00f6\u011fretmenin elinde\u00a0bir par\u00e7a kil olarak d\u00fc\u015f\u00fcnecek olursak, parmaklar her zaman kusursuz bir eser mi \u00e7\u0131kar\u0131r ortaya? Bu sorunun cevab\u0131n\u0131 \u00f6nemli ressam ve heykeltra\u015flar\u0131n \u00f6\u011frencileriyle yan yana durdu\u011fu d\u00f6rt sergide ar\u0131yoruz.<\/p>\n<p>\u201cV\u0131preki\u201d Vakf\u0131n\u0131n \u201cResim sanat\u0131nda \u00f6\u011fretmen ve \u00f6\u011frencileri\u201d projesi,Prof. Emil Popov, Prof. Vihroni Popnedelev, Prof. Andrey Daniel ve Prof. Nikolay Maystorov\u2019u Sanat Akademisi\u2019nden se\u00e7kin \u00f6\u011frencileriyle bulu\u015fturdu\u011fu bir sanatsal sahad\u0131r. Sofya, Varna ve K\u00fcstendil\u2019de ard arda d\u00f6rt sergide \u00f6\u011fretmen ve \u00f6\u011frencileri eserlerini g\u00f6sterecek ve beraberinde tart\u0131\u015fma programlar\u0131 d\u00fczenlenecek. Bir \u00f6\u011fretmenin \u00f6\u011frencisini kendi modeline ve benzerine g\u00f6re yo\u011furma iste\u011fi yararl\u0131 m\u0131, e\u011fitim sistemimiz sanat\u00e7\u0131 m\u0131, yoksa e\u011fitmenin \u00f6\u011frencisinden yapmak istedi\u011fi ki\u015filer mi yeti\u015ftiriyor?<\/p>\n<p>Ressam Prof. Andrey Daniel\u2019in cevab\u0131:<i>\u00a0Bizim alan\u0131m\u0131z \u00e7ok \u00f6zeldir- hem sanat, hem de ahlak s\u00f6z konusudur. Akademiye gelenler sanatsal a\u00e7\u0131dan bilgi sahibi olmu\u015f, kendilerini sanat\u00e7\u0131 ruhuyla ifade eden ve eserlerinin alt\u0131na imza atmaya cesaret eden ki\u015filer olmal\u0131. Ben akademide \u00f6\u011frencilerimle insani temaslar kurup, onlar\u0131n sanatta do\u011fal yetenek, tercih ve hedeflerini hissetmeliyim ve sanatlar\u0131nda kendilerini en iyi ifade etmelerine yard\u0131mc\u0131 olmal\u0131y\u0131m. Bilimin di\u011fer dallar\u0131ndan farkl\u0131 olarak, biz e\u011fitimde haz\u0131r standart kal\u0131plar sunmuyoruz. Bizim e\u011fitimimiz bireysel, anlam\u0131 ise bireylerin sentezini yapmakt\u0131r. Ressamlar\u0131m\u0131z\u0131n birbirinden farkl\u0131 olmas\u0131 bizi mutlu eder.<\/i><\/p>\n<p>Prof. Andrey Daniel\u2019e g\u00f6re sanatta ve hayatta ahlak, bizi vah\u015fi ormanda ya\u015fam sava\u015f\u0131ndan ay\u0131rt eden temel kanun olmal\u0131. O y\u00fczden sanat\u0131n ahlak y\u00fcz\u00fcne b\u00fcy\u00fck \u00f6nem veriyor.<\/p>\n<p>Sanat bilimcisi Prof. \u00c7avdar Popov da sanat\u00e7\u0131n\u0131n ahlak ve sorumluluklar\u0131na de\u011findi:\u00a0<i>Ahlak, ressam\u0131n sorumluluklar\u0131n\u0131 bilmesinde gizlidir. Ressam, tasar\u0131mc\u0131, \u00e7izgi ustas\u0131- ne olursa olsun, sanat\u00e7\u0131 toplumsal hayatta \u00f6nemli bir fig\u00fcr\u00fc te\u015fkil ediyor. Sanat\u00e7\u0131n\u0131n bir g\u00f6revi, televizyondan, gazetelerden topluma yay\u0131lan k\u00f6t\u00fcl\u00fcklere, kitle k\u00fclt\u00fcr\u00fcne ve \u00e7irkinliklere kar\u015f\u0131 koymak, sanata ve g\u00fcnl\u00fck hayat\u0131n t\u00fcm alanlar\u0131na kar\u015f\u0131 estetik zevk ve yakla\u015f\u0131m olu\u015fturmak i\u00e7in m\u00fccadele etmektir. Bu anlamda, g\u00f6zlerimiz \u00f6n\u00fcnde seyreden bu \u00e7arp\u0131\u015fmalarda sanat adam\u0131n\u0131n yeri ve \u00f6nemi bulunmaktad\u0131r.\u00a0<\/i><\/p><div id=\"bghab-4060040105\" class=\"bghab-icerik-icine bghab-entity-placement\"><script async src=\"\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js?client=ca-pub-6203283170189293\" crossorigin=\"anonymous\"><\/script><ins class=\"adsbygoogle\" style=\"display:block; text-align:center;\" data-ad-client=\"ca-pub-6203283170189293\" \ndata-ad-slot=\"7303146466\" \ndata-ad-layout=\"in-article\"\ndata-ad-format=\"fluid\" data-full-width-responsive=\"true\"><\/ins>\n<script> \n(adsbygoogle = window.adsbygoogle || []).push({}); \n<\/script>\n<\/div>\n<p>Bu toplumsal \u00e7eli\u015fkiler, gen\u00e7 nesil sanat\u00e7\u0131lar\u0131n\u0131 ayn\u0131 istikamete mi g\u00f6t\u00fcr\u00fcyor acaba?<\/p>\n<p><i>Bu zor bir soru. Bizim alanda i\u015fler iyi gitmiyor. Bizde g\u00fczel sanatlara olan ilgi gereken d\u00fczeyde de\u011fil, ger\u00e7i hi\u00e7 bir zaman da olmad\u0131. Bu sanki bir Bulgar gelene\u011fine d\u00f6n\u00fc\u015ft\u00fc- opera saant\u00e7\u0131lar\u0131na, yazarlara, \u015fairlere \u00e7ok itibar edilirken, ressamlar biraz ayak\u00e7\u0131 gibi kald\u0131. Toplumun ilgisizli\u011fine ra\u011fmen bu gen\u00e7lerin ressam olmay\u0131 se\u00e7mesinde bir kahramanca \u00e7aba g\u00f6r\u00fcyorum. Resim sanat\u0131 bu gen\u00e7lere d\u00fcnyay\u0131 inceleme, hatta belki de de\u011fi\u015ftirme imkanlar\u0131 sunuyor. Onlar da bunun fark\u0131na var\u0131yor olmal\u0131.<\/i><\/p>\n<p>D\u00f6rt sergiden ilki 22 \u015eubat\u2019ta K\u00fcstendil\u2019de \u201cVladimir Dimitrov- Maystora\u201d galerisinde a\u00e7\u0131ld\u0131. Orada heykeltra\u015f Emil Popov ve \u00f6\u011frencilerinin eserleri sergilendi. 1 Mart\u2019ta Sofya \u201cArt aleya\u201d galerisinde ressam Vihroni Popnedelev ve \u00f6\u011frencilerinin te\u015fhiri sanatseverlerle bulu\u015facak. Prof. Andrey Daniel 17 Nisan\u2019da Varna \u015eehir Sanat Galerisinde \u00f6\u011frencileriyle sanat\u0131n\u0131 tan\u0131tacak. Ressam Nikolay Maystorov ve e\u011fitti\u011fi gen\u00e7lerin sergisi ise 10 May\u0131s Sofya\u2019da \u201cKvadrat 500\u201d galerisinde a\u00e7\u0131lacak.<\/p>\n<p>&nbsp;<\/p>\n<p>\u00c7eviri: Sevda D\u00fckkanc\u0131, BNR<\/p>\n<div id=\"bghab-1423503240\" class=\"bghab-yazi-altinda bghab-entity-placement\"><script async src=\"https:\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js\"><\/script>\r\n<!-- bghaber-yaz\u0131-sonu -->\r\n<ins class=\"adsbygoogle\"\r\n     style=\"display:block\"\r\n     data-ad-client=\"ca-pub-6203283170189293\"\r\n     data-ad-slot=\"4222328180\"\r\n     data-ad-format=\"auto\"\r\n     data-full-width-responsive=\"true\"><\/ins>\r\n<script>\r\n     (adsbygoogle = window.adsbygoogle || []).push({});\r\n<\/script><\/div><br style=\"clear: both; display: block; float: none;\"\/>","protected":false},"excerpt":{"rendered":"<p>\u00d6\u011frenciyi,\u00a0yetenekli bir \u00f6\u011fretmenin elinde\u00a0bir par\u00e7a kil olarak d\u00fc\u015f\u00fcnecek olursak, parmaklar her zaman kusursuz bir eser mi \u00e7\u0131kar\u0131r ortaya? Bu sorunun cevab\u0131n\u0131 \u00f6nemli ressam ve heykeltra\u015flar\u0131n<\/p>\n","protected":false},"author":29,"featured_media":27902,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_seo_schema_type":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[10],"tags":[],"class_list":["post-27901","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat"],"jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[],"jetpack_shortlink":"https:\/\/wp.me\/pc2PfJ-7g1","jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.bghaber.org\/bghaber\/wp-content\/uploads\/2018\/03\/Resim-sanat%C4%B1nda-%C3%B6%C4%9Fetmen-ve-%C3%B6%C4%9Frencileri-projesi.jpg?fit=850%2C478&ssl=1","_links":{"self":[{"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/posts\/27901","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/users\/29"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/comments?post=27901"}],"version-history":[{"count":0,"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/posts\/27901\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/media\/27902"}],"wp:attachment":[{"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/media?parent=27901"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/categories?post=27901"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/tags?post=27901"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}