{"id":21653,"date":"2016-12-04T17:52:22","date_gmt":"2016-12-04T15:52:22","guid":{"rendered":"http:\/\/www.bghaber.org\/bghaber\/?p=21653"},"modified":"2019-06-19T20:36:53","modified_gmt":"2019-06-19T17:36:53","slug":"21653-2","status":"publish","type":"post","link":"https:\/\/www.bghaber.org\/bghaber\/21653-2\/","title":{"rendered":"Edebiyat\u0131m\u0131zda Etnik Motifler"},"content":{"rendered":"<p>Raziye \u00c7ak\u0131r<\/p>\n<p>Konu: <strong>Biz edebiyat\u0131 olan bir halk toplulu\u011fuyuz<\/strong><\/p>\n<p><em>BGSAM yay\u0131nlar\u0131 olarak 5 b\u00f6l\u00fcml\u00fc bir yaz\u0131 dizimizle \u00f6zg\u00fcn edebiyat\u0131m\u0131z\u0131n etnik motiflerine de\u011finmek istiyoruz.<\/em><\/p>\n<p>B\u00f6l\u00fcm 1.<\/p>\n<p>Ba\u015fl\u0131ca Bulgaristanl\u0131 T\u00fcrk halk edebiyat\u0131 \u00fczerine, yerli bir \u00f6zg\u00fcn T\u00fcrk edebiyat\u0131 du\u011fuyor. Ku\u015fkusuz T\u00fcrkiye ile Bulgaristan edebiyatlar\u0131, t\u00fcm k\u00fclt\u00fcr alanlar\u0131nda oldu\u011fu gibi, yerli T\u00fcrk edebiyat\u0131m\u0131z\u0131 da do\u011fal olarak etkiliyorlar. Ancak geli\u015fme s\u00fcrecinde <strong>kendine \u00f6zg\u00fc nitelikler kazanarak <\/strong>g\u00f6receli \u00f6zg\u00fcn bir edebiyat durumuna geliyor. Bu edebiyat bizim estetik de\u011ferlerimizi, miza\u00e7, etnik bilin\u00e7 ve be\u011fenilerimizi yans\u0131t\u0131yor. Ad\u0131na da Bulgaristan T\u00fcrkleri Edebiyat\u0131 dedik. Tarihi 93 Harbinden ba\u015flayarak g\u00fcn\u00fcm\u00fcze kadar uzan\u0131r ve bilin\u00e7lenme, dirilme ve sava\u015fabilecek duruma gelmemizde g\u00fc\u00e7l\u00fc k\u0131l\u0131\u00e7 kalkan rol\u00fc oynam\u0131\u015ft\u0131r.<\/p><div id=\"bghab-712715778\" class=\"bghab-icerik-icine bghab-entity-placement\"><script async src=\"\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js?client=ca-pub-6203283170189293\" crossorigin=\"anonymous\"><\/script><ins class=\"adsbygoogle\" style=\"display:block; text-align:center;\" data-ad-client=\"ca-pub-6203283170189293\" \ndata-ad-slot=\"7303146466\" \ndata-ad-layout=\"in-article\"\ndata-ad-format=\"fluid\" data-full-width-responsive=\"true\"><\/ins>\n<script> \n(adsbygoogle = window.adsbygoogle || []).push({}); \n<\/script>\n<\/div>\n<p><strong>\u0130lk d\u00f6nem ve se\u00e7kin temsilcileri.<\/strong><\/p>\n<p>1877 \u2013 78 Plevne Sava\u015f\u0131ndan Birinci D\u00fcnya Sava\u015f\u0131\u2019na kadar Bulgaristan T\u00fcrk Edebiyat\u0131 bi\u00e7imlenme d\u00f6neminde duruyor. \u00c2\u015f\u0131k H\u0131fz\u0131, H\u00fcseyin Raci Efendi ve di\u011fer yazarlar, halk\u0131n sava\u015f y\u0131llar\u0131ndaki \u0131zd\u0131raplar\u0131n\u0131 ve tan\u0131k olduklar\u0131 olaylar\u0131 yans\u0131t\u0131yorlar.<\/p>\n<p>Yerli T\u00fcrk edebiyat\u0131, Birinci ve \u0130kinci D\u00fcnya Sava\u015flar\u0131 aras\u0131ndaki d\u00f6nemde tam anlam\u0131yla ortaya \u00e7\u0131k\u0131yor. Aralar\u0131nda Aliosman Ayrandoruk (1878 \u2013 1952), Mehmet Con (1885 -1974),\u00a0 Mustafa S. Alyanak \u00a0(1890 \u2013 1966) , Mehmet Beh\u00e7et Perim\u00a0 (1896 -1965) , Haydar Baba ((1871 \u2013 1956) , Mehmet Fikri (1909 \u2013 1941)\u00a0 vb ozan ve yazarlar\u0131n bulundu\u011fu yeni bir yarat\u0131c\u0131lar ku\u015fa\u011f\u0131 ortaya \u00e7\u0131k\u0131yor. Yerli edebiyat T\u00fcrk olarak zenginle\u015fiyor. \u015eiir ile birlikte \u00f6yk\u00fc ve sahne yap\u0131tlar\u0131 yay\u0131nlan\u0131yor. Ama \u015fiir egemen konumunu koruyor. Bi\u00e7im ve i\u00e7erik bak\u0131m\u0131ndan edebiyat\u0131m\u0131z halk yarat\u0131c\u0131l\u0131\u011f\u0131 havas\u0131n\u0131 koruyor.<\/p>\n<p>Bulgaristan T\u00fcrk Edebiyat\u0131, T\u00fcm k\u00fclt\u00fcrlerimizle birlikte totaliter sosyalizm d\u00f6neminde iki geli\u015fim a\u015famas\u0131ndan ge\u00e7iyor.<\/p>\n<p><strong>Olgunluk a\u015famas\u0131 ve sivrilen temsilcileri.<\/strong><\/p><div id=\"bghab-2354261034\" class=\"bghab-icerik-icine-10-paragraf bghab-entity-placement\"><script async src=\"\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js?client=ca-pub-6203283170189293\" crossorigin=\"anonymous\"><\/script><ins class=\"adsbygoogle\" style=\"display:block; text-align:center;\" data-ad-client=\"ca-pub-6203283170189293\" \ndata-ad-slot=\"7303146466\" \ndata-ad-layout=\"in-article\"\ndata-ad-format=\"fluid\" data-full-width-responsive=\"true\"><\/ins>\n<script> \n(adsbygoogle = window.adsbygoogle || []).push({}); \n<\/script>\n<\/div>\n<p>1944\u2019ten 69\u2019l\u0131y\u0131llar\u0131n sonlar\u0131na kadar ge\u00e7en s\u00fcrede olgunluk a\u015famas\u0131na ula\u015f\u0131yor. Eski yarat\u0131c\u0131 grubuna Selim Bilal (1915 \u2013 1987), Hasan Karah\u00fcseyin (1925 -1990), Sabahattin Bayram (1931 -2013), Ahmet \u015eerif (1926 \u2013 2000), Recep K\u00fcp\u00e7\u00fc (1934 -1976), Mefk\u00fcre Mollova (1927 -2009) ve ba\u015fka yazar ve ozanlar kat\u0131l\u0131yor. Bu ku\u015fak, \u00e7a\u011fda\u015f d\u00fcnya g\u00f6r\u00fc\u015f\u00fcne ve estetik d\u00fc\u015f\u00fcnceye sahip. Dilleri daha zengin, s\u00f6ylemleri taze ve renkli. Bunlar edebiyat\u0131m\u0131za yeni konu ve poetikayla, \u00e7a\u011fda\u015f renkler kat\u0131yorlar. 1950\u2019lerin sonlar\u0131na do\u011fru yarat\u0131c\u0131l\u0131k s\u00fcrecini, totaliter sosyalizmin ilk y\u0131llar\u0131nda dayat\u0131lan ideolojik kli\u015felerden ve basma kal\u0131p s\u00f6ylemlerden kurtarma \u00a0denemelerinde bulunmaya ba\u015fl\u0131yorlar. Edebiyat\u0131n t\u00fcm t\u00fcrlerinde eserler yarat\u0131l\u0131yor, yay\u0131nlan\u0131yor. Serbest \u015fiir bi\u00e7imi yayg\u0131nla\u015f\u0131yor. \u00d6yk\u00fc sanat\u0131, olay \u00f6rg\u00fcleri, teknik ve anlat\u0131m dili geli\u015ftirilerek, olgunluk a\u015famas\u0131na ula\u015f\u0131yor. K\u0131sa \u00d6yk\u00fcde Muharrem Tahsin (1929 -2007), Ahmet T\u0131m\u0131\u015f (1926 \u2013 2007) ve ba\u015fka yazarlar \u00f6nemli sanat de\u011feri olan \u00f6nemli yap\u0131tlar ortaya koyuyorlar.Sabri Tata\u2019n\u0131n\u00a0 (1925 \u2013 2010) <em>G\u00fcne\u015f Do\u011farken<\/em> adl\u0131 yap\u0131t\u0131yla \u00e7a\u011fda\u015f anlamda romanc\u0131l\u0131k ba\u015flam\u0131\u015f oluyor. Onu Halit Aliosman (1932)\u00a0 izliyor. Turhan Rasi (1942), Yusuf Kerim (1922 \u2013 2007), Mehmet Bekir\u00a0 (1932) ve di\u011fer yazarlar\u0131n yap\u0131tlar\u0131yla mizah yeni bir a\u015famaya ula\u015f\u0131yor. Bu d\u00f6nemde \u00e7ocuk edebiyat\u0131 geli\u015ferek edebiyat\u0131m\u0131zda ba\u015fl\u0131 ba\u015f\u0131na bir kol durumuna geliyor. Ahmet \u015eerif, Nadiye Ahmet (1931), Nevzat Mehmet (1933), Muharrem Tahsin, \u0130smail \u00c7avu\u015f (1940) vb yazarlar bu alanda se\u00e7kin yap\u0131tlar ortaya koyuyorlar.<\/p>\n<p><strong>Demokrasi r\u00fczg\u00e2r\u0131nda yeniden canlanma<\/strong>.<\/p>\n<p>Edebiyat\u0131m\u0131z demokrasiye ge\u00e7i\u015f y\u0131llar\u0131nda yeniden canlanmaya ba\u015flad\u0131. \u00d6nceki a\u015famada ustala\u015fan yazarlar \u2013 Ahmet \u015eerif, \u00d6mer Osman, Sabahattin Bayram, Mehmet \u00c7avu\u015f, Niyazi H\u00fcseyin, Sabri Tata, Naci Ferhad (1940 \u2013 2013) Muharrem Tahsin, \u0130smail \u00c7avu\u015f, Sabri Alag\u00f6z, Ahmet Emin vb bir\u00e7ok yeni yap\u0131tlar yay\u0131nlad\u0131lar. Bu yap\u0131tlar\u0131n baz\u0131lar\u0131 zorla kimlik d\u00f6neminde yaz\u0131lm\u0131\u015f, ama yay\u0131nlanamam\u0131\u015flar. Yeni a\u015famada Mustafa Bayramali (1938) gibi yetenekli \u00f6yk\u00fc yazarlar\u0131 da belirdi.<\/p>\n<p>Edebiyat\u0131m\u0131zda demokrasiye ge\u00e7i\u015f d\u00f6neminde yeni isimler de belirdi. Aziz Sakir-Ta\u015f (1985), Ha\u015fim Akif (1946), Kamil Top\u00e7u (1985), Nurten Remzi (1964). Nurdan \u00c7ete (1975), Melis Aziz (1995)\u00a0 ve ba\u015fka gen\u00e7 kalemler yarat\u0131c\u0131l\u0131k s\u00fcrecine yeni soluk kat\u0131yor ve onun yeni bir a\u015famaya ula\u015fmas\u0131na katk\u0131da bulunuyorlar.<\/p>\n<p><strong>Doksanl\u0131 y\u0131llar\u0131n doruklar\u0131<\/strong><\/p><div id=\"bghab-1887208932\" class=\"bghab-icerik-icine-15-paragraf bghab-entity-placement\"><script async src=\"\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js?client=ca-pub-6203283170189293\" crossorigin=\"anonymous\"><\/script><ins class=\"adsbygoogle\" style=\"display:block; text-align:center;\" data-ad-client=\"ca-pub-6203283170189293\" \ndata-ad-slot=\"7303146466\" \ndata-ad-layout=\"in-article\"\ndata-ad-format=\"fluid\" data-full-width-responsive=\"true\"><\/ins>\n<script> \n(adsbygoogle = window.adsbygoogle || []).push({}); \n<\/script>\n<\/div>\n<p>Ge\u00e7en Y\u00fczy\u0131l\u0131n 90\u2019l\u0131 y\u0131llar\u0131nda ve XXI. y\u00fczy\u0131l\u0131n ba\u015flar\u0131nda yay\u0131nlanan edebi yap\u0131tlarda totaliter sistemin sosyalist ger\u00e7ek\u00e7ilik bi\u00e7iminde dayatt\u0131\u011f\u0131 ideolojik \u015femalara rastlanmaz. Yarat\u0131c\u0131lar tasar\u0131m, sanatsal fikir ve duygular\u0131n\u0131 \u00f6zg\u00fcrce dile getirmekte, \u00e7ok taze anlat\u0131m bi\u00e7imleri kullanmaktad\u0131rlar. Yap\u0131tlar\u0131 estetik bak\u0131mdan daha nitelikli, bi\u00e7imleri daha yetkindir.<\/p>\n<p>B\u00f6ylece tarihsel geli\u015fim s\u00fcrecinde Bulgaristan\u2019da yava\u015f yava\u015f \u00f6zg\u00fcn bir T\u00fcrk edebiyat\u0131 olu\u015fuyor. Ku\u015fkusuz o, klasik T\u00fcrk edebiyat\u0131na \u00f6zg\u00fc nitelikleri ta\u015f\u0131yor. her \u015feyden \u00f6nce yap\u0131tlar edebi T\u00fcrk dili, gece vezni ve kafiye ile \u00f6r\u00fcl\u00fcyor. Ayn\u0131 zamanda Bulgar ve d\u00fcnya edebiyat\u0131ndan etkileniyor.\u00a0 Ama \u00f6z\u00fc, Bulgaristan T\u00fcrk\u00fcn\u00fcn duygular\u0131n\u0131, d\u00fc\u015f\u00fcnce, \u00f6zlem ve felsefesini yans\u0131t\u0131yor.<\/p>\n<p><strong>G\u00fcn\u00fcm\u00fcz \u015fiirinde \u00f6zellikler<\/strong><\/p>\n<p>G\u00fcn\u00fcm\u00fcz a\u015famas\u0131nda ebedi yap\u0131tlardan en iyi \u015fiirin geli\u015fti\u011fi bir ger\u00e7ektir. Onu nesir, \u00f6zellikle \u00f6yk\u00fc izliyor. Roman t\u00fcr\u00fc hala ba\u015flang\u0131\u00e7 s\u00fcrecini tamamlama s\u00fcrecinde. Mizah yap\u0131tlar\u0131 hem halk yarat\u0131c\u0131 gelene\u011fini s\u00fcrd\u00fcr\u00fcyor, hem de ya\u015famdan yeni s\u00fcjeler alarak geli\u015fiyor. 50\u2019li y\u0131llarda kaleme al\u0131nan piyesler daha fazla bir perdelik olup g\u00fcncel ya\u015fam\u0131 yans\u0131t\u0131yorlar.<\/p>\n<p>Yap\u0131tlar\u0131n ebedi ve estetik nitelikleri yava\u015f yava\u015f geli\u015fiyor, yarat\u0131c\u0131lar daha renkli bir dil kullan\u0131yorlar. Motifleri T\u00fcrk halk\u0131n\u0131n ya\u015fam\u0131ndan, sosyok\u00fclt\u00fcrel durumundan kaynaklan\u0131yor. Birinci ve \u0130kinci D\u00fcnya Sava\u015flar\u0131 aras\u0131ndaki d\u00f6nemde sosyal ve k\u00fclt\u00fcrel kalk\u0131nman\u0131n nesnel gereklili\u011fi, Anadolu\u2019ya g\u00f6\u00e7 edenlerin g\u00f6\u00e7 s\u0131las\u0131 gibi konular izleniyor. Ozan ve yazarlar, yap\u0131tlar\u0131nda do\u011fup yeti\u015ftikleri b\u00f6lgenin do\u011fa g\u00fczelliklerinin betimliyorlar.<\/p><div id=\"bghab-940377569\" class=\"bghab-icerik-icine-20-paragraf bghab-entity-placement\"><script async src=\"\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js?client=ca-pub-6203283170189293\" crossorigin=\"anonymous\"><\/script><ins class=\"adsbygoogle\" style=\"display:block; text-align:center;\" data-ad-client=\"ca-pub-6203283170189293\" \ndata-ad-slot=\"7303146466\" \ndata-ad-layout=\"in-article\"\ndata-ad-format=\"fluid\" data-full-width-responsive=\"true\"><\/ins>\n<script> \n(adsbygoogle = window.adsbygoogle || []).push({}); \n<\/script>\n<\/div>\n<p><strong>Yeni T\u00fcrk edebiyat\u0131nda, yukar\u0131da belirtilen konularla birlikte, bar\u0131\u015f, ho\u015fg\u00f6r\u00fc, adalet, erdemler gibi genel insani sorunlar da ele al\u0131nmaktad\u0131r.<\/strong><\/p>\n<p>Bulgaristan T\u00fcrkleri edebiyat\u0131, bir yandan toplulu\u011fumuzun estetik duygular\u0131n\u0131, ya\u015fam felsefesini yans\u0131tmakta, \u00f6te yandan okul ile birlikte , etnik kimli\u011fi g\u00fcvence alt\u0131na almaktad\u0131r. Yeni Osmanl\u0131lar\u0131n ve Gen\u00e7 T\u00fcrklerin g\u00f6r\u00fc\u015fleri, 1920\u2019lerde de Atat\u00fcrk\u00e7\u00fc d\u00fc\u015f\u00fcnceler; edebiyat\u00e7\u0131lar\u0131n ve \u00f6zellikle belirli bir zaman bug\u00fcnk\u00fc Bulgaristan Topraklar\u0131nda ya\u015fayan ve \u00e7al\u0131\u015fan Ahmet Suavi ve Ahmet Mithat\u2019\u0131n yap\u0131tlar\u0131 e\u011fitim sistemi ve bas\u0131n arac\u0131l\u0131\u011f\u0131 ile halk\u0131m\u0131z\u0131n daha uyan\u0131k kesimlerine ula\u015f\u0131yorlar. . T\u00fcrk\u00e7\u00fcl\u00fck ve ulus\u00e7uluk fikirleri ayd\u0131nlar aras\u0131nda yay\u0131l\u0131yor ve k\u00f6k sal\u0131yorlar. Bunlar\u0131n etkisiyle T\u00fcrk toplulu\u011funun etnik bilinci olu\u015fup geli\u015fmeye ba\u015fl\u0131yor. Bilindi\u011fi gibi, \u00f6z bilin\u00e7ten yoksun bir ulusal ve etnik topluluk var olamaz.<\/p>\n<p><strong>Bulgaristan T\u00fcrkleri Bilincine Do\u011fru ad\u0131mlar<\/strong><\/p>\n<p>Ulusal fikirler edebiyat\u0131m\u0131za Mustafa Alyanak, Mehmet Beh\u00e7et Perin, Aliosman Ayrantok\u2019un yap\u0131tlar\u0131yla girmi\u015ftir. Bunlar\u0131n yarat\u0131c\u0131l\u0131\u011f\u0131 yerli T\u00fcrk edebiyat\u0131nda yeni bir \u00e7\u0131\u011f\u0131r a\u00e7m\u0131\u015ft\u0131r. Etnik ve k\u00fclt\u00fcrel kimli\u011fin olu\u015fturulup geli\u015ftirilmesini ama\u00e7 edinen ekol\u00fcn ortaya \u00e7\u0131kmas\u0131nda M. Alyanak\u2019\u0131n \u015fiir, \u00f6yk\u00fc ve makaleleri \u00f6nemli rol oynam\u0131\u015ft\u0131r. \u00d6rne\u011fin \u201c<em>\u00c7oban\u0131n R\u00fcyas\u0131<\/em>\u201d \u015fiirinde ozan, ulusal geleneklerin giderek unutulmas\u0131ndan tedirgin oldu\u011funu, bunlar\u0131 gelece\u011fe ta\u015f\u0131ma \u00f6zlemini dile getirmektedir.\u00a0 S\u00f6z konusu \u00e7\u0131\u011f\u0131r\u0131n a\u00e7\u0131l\u0131p geli\u015fmesinde A. Ayrantok\u2019un katk\u0131s\u0131 \u00e7\u00f6k \u00f6nemlidir. Ozan\u0131n kan\u0131s\u0131nca, k\u00fclt\u00fcrel kimli\u011fimizin gelece\u011fi hurafelerden ar\u0131nmam\u0131za ba\u011fl\u0131d\u0131r. \u201cBe Yahu\u201d adl\u0131 \u015fiirinde fen ve sanat mektebini cennette benzetmi\u015ftir. .<\/p>\n<p>Bu ekol\u00fcn yarat\u0131c\u0131lar\u0131 aras\u0131nda en se\u00e7kin ozan olarak Mehmet Beh\u00e7et g\u00f6r\u00fclmektedir. Ozan\u0131n ulusal ve kimlik \u00fclk\u00fcs\u00fcne tutkusu en a\u00e7\u0131k bi\u00e7imde \u201cTunal\u0131lar Mar\u015f\u0131\u201d adl\u0131 \u015fiirinde betimlenmi\u015ftir.<\/p><div id=\"bghab-993107426\" class=\"bghab-icerik-icine-25-paragraf bghab-entity-placement\"><script async src=\"\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js?client=ca-pub-6203283170189293\" crossorigin=\"anonymous\"><\/script><ins class=\"adsbygoogle\" style=\"display:block; text-align:center;\" data-ad-client=\"ca-pub-6203283170189293\" \ndata-ad-slot=\"7303146466\" \ndata-ad-layout=\"in-article\"\ndata-ad-format=\"fluid\" data-full-width-responsive=\"true\"><\/ins>\n<script> \n(adsbygoogle = window.adsbygoogle || []).push({}); \n<\/script>\n<\/div>\n<p>&nbsp;<\/p>\n<p>\u201cBiz Tunal\u0131 T\u00fcrk o\u011fluyuz<\/p>\n<p>Azmimizde er o\u011fluyuz,<\/p>\n<p>Bilgi, soyda\u015f, hak i\u00e7in biz<\/p>\n<p>\u00d6l\u00fcmlere yeminliyiz.\u2026\u201d<\/p><div id=\"bghab-2932673250\" class=\"bghab-icerik-icine-30-paragraf bghab-entity-placement\"><script async src=\"\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js?client=ca-pub-6203283170189293\" crossorigin=\"anonymous\"><\/script><ins class=\"adsbygoogle\" style=\"display:block; text-align:center;\" data-ad-client=\"ca-pub-6203283170189293\" \ndata-ad-slot=\"7303146466\" \ndata-ad-layout=\"in-article\"\ndata-ad-format=\"fluid\" data-full-width-responsive=\"true\"><\/ins>\n<script> \n(adsbygoogle = window.adsbygoogle || []).push({}); \n<\/script>\n<\/div>\n<p>Devam edecek.<\/p>\n<h6><strong>Kaynak<\/strong>: \u0130brahim Yal\u0131mov \u201cBulgaristan T\u00fcrk Toplulu\u011funun Etnik-k\u00fclt\u00fcrel ve Dinsel Kimli\u011fi\u201d Sayfa 163-166.<\/h6>\n<div id=\"bghab-4068267232\" class=\"bghab-yazi-altinda bghab-entity-placement\"><div class=\"bghab-adlabel\">Reklamlar<\/div><script async src=\"https:\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js\"><\/script>\r\n<!-- bghaber-yaz\u0131-sonu -->\r\n<ins class=\"adsbygoogle\"\r\n     style=\"display:block\"\r\n     data-ad-client=\"ca-pub-6203283170189293\"\r\n     data-ad-slot=\"4222328180\"\r\n     data-ad-format=\"auto\"\r\n     data-full-width-responsive=\"true\"><\/ins>\r\n<script>\r\n     (adsbygoogle = window.adsbygoogle || []).push({});\r\n<\/script><\/div><br style=\"clear: both; display: block; float: none;\"\/>","protected":false},"excerpt":{"rendered":"<p>Raziye \u00c7ak\u0131r Konu: Biz edebiyat\u0131 olan bir halk toplulu\u011fuyuz BGSAM yay\u0131nlar\u0131 olarak 5 b\u00f6l\u00fcml\u00fc bir yaz\u0131 dizimizle \u00f6zg\u00fcn edebiyat\u0131m\u0131z\u0131n etnik motiflerine de\u011finmek istiyoruz. B\u00f6l\u00fcm 1.<\/p>\n","protected":false},"author":13,"featured_media":31122,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[6],"tags":[],"class_list":["post-21653","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yorum"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.bghaber.org\/bghaber\/wp-content\/uploads\/2018\/06\/k%C3%BC%C3%A7%C3%BCk-vesikal%C4%B1k.jpg?fit=332%2C500&ssl=1","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[],"jetpack_shortlink":"https:\/\/wp.me\/pc2PfJ-5Df","_links":{"self":[{"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/posts\/21653","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/comments?post=21653"}],"version-history":[{"count":0,"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/posts\/21653\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/media\/31122"}],"wp:attachment":[{"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/media?parent=21653"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/categories?post=21653"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/tags?post=21653"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}