{"id":12801,"date":"2015-01-01T21:42:56","date_gmt":"2015-01-01T19:42:56","guid":{"rendered":"http:\/\/www.bghaber.org\/bghaber\/?p=12801"},"modified":"2015-01-01T21:42:56","modified_gmt":"2015-01-01T19:42:56","slug":"nikolay-raynov-ve-doganin-gizli-gucu","status":"publish","type":"post","link":"https:\/\/www.bghaber.org\/bghaber\/nikolay-raynov-ve-doganin-gizli-gucu\/","title":{"rendered":"Nikolay Raynov ve do\u011fan\u0131n gizli g\u00fcc\u00fc"},"content":{"rendered":"<p><b>11 Ocak tarihine kadar Milli Sanat Galerisi\u2019nde \u201cSembolik Manzaralar\u201d \/Do\u011fan\u0131n Gizli G\u00fcc\u00fc\/ adl\u0131 ilgin\u00e7 bir sergi g\u00f6r\u00fclebiliyor. Sergi, Bulgar k\u00fclt\u00fcr tarihinin b\u00fcy\u00fck isimlerinden biri olan akademisyen Nikolay Raynov\u2019un do\u011fumunun 125. y\u0131l\u0131na adanm\u0131\u015ft\u0131r. Nikolay Raynov, farkl\u0131t\u00fcrlerde yazan edebiyat\u00e7\u0131, d\u00fcnya folklor yazar\u0131, \u00e7evirmen, ressam, edebiyat ve sanat ele\u015ftirmenidir. Nikolay Raynov, \u0130lahiyat Fak\u00fcltesi\u2019nde okuyor, felsefe okuyor, grafik b\u00f6l\u00fcm\u00fcnden mezun oluyor.<\/b><\/p>\n<p>Sanat uzman\u0131 olan ve sergiyi kuran Plamena Dimitrova-Ra\u00e7eva, Bulgaristan Radyosu\u2019na verdi\u011fi bir deme\u00e7te \u201cNikolay Raynov, ansiklopedik ilgileri olan bir ki\u015fidir. Raynov\u2019un tarih\u00e7i ve ara\u015ft\u0131rmac\u0131 olarak \u00e7al\u0131\u015ft\u0131\u011f\u0131 g\u00f6rsel sanatlar alan\u0131nda e\u015fi yoktur. Nikolay Raynov\u2019un bu ilgileri sanat\u0131n manevi \u00f6z\u00fcyle ilgilidir\u201d diyor. \u00c7ok ge\u00e7meden \u00f6nce Raynovi ailesinin ar\u015fivinde Nikolay Raynov\u2019un torunu Diyana-Mariya Raynova\u2019n\u0131n yan\u0131nda, Plamena Dimitrova-Ra\u00e7eva, el yazmalar\u0131ndan biriyle, daha do\u011frusu 11. asr\u0131n mimarisi tarihi \u00fczerine notlarla ba\u015flayan bir defteriyle tan\u0131\u015f\u0131yor. Defterin sonraki sayfalar\u0131nda \u201c\u015eifal\u0131 Otlar\u0131n Gizli G\u00fcc\u00fc\u201d ba\u015fl\u0131kl\u0131 bir b\u00f6l\u00fcm de var.<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/static.bnr.bg\/gallery\/b8\/b89364f0926b4d9ea18d49ff03ed5c0b.jpg?w=640\" alt=\"\u0421\u043d\u0438\u043c\u043a\u0430\" \/><\/p>\n<p>Plamena Dimitrova-Ra\u00e7eva, \u015funlar\u0131 anlat\u0131yor: \u201c\u015eu ana kadar hi\u00e7 kimse Nikolay Raynov\u2019un \u015fifal\u0131 otlarla tedaviyle ilgilendi\u011finin fark\u0131nda de\u011fildi. Ama asl\u0131nda bunun, eskiden bitki ve \u015fifal\u0131 otlar\u0131n kullan\u0131lmas\u0131 ve onlar\u0131n antik d\u00fcnyadaki dini anlamda uygulanmas\u0131 i\u00e7in bilgi veren \u00e7ok ilgin\u00e7 bir el yazmas\u0131 oldu\u011fu ortaya \u00e7\u0131kt\u0131. Nikolay Raynov\u2019un astroloji ve teozofi ile u\u011fra\u015ft\u0131\u011f\u0131n\u0131 biliyoruz. Kendisi, 1930 y\u0131l\u0131nda Teozofi Derne\u011fi\u2019nin kurucular\u0131ndan biridir. Asl\u0131nda bu el yazmas\u0131, \u015fifal\u0131 otlar \u00fczerinde \u00e7ok farkl\u0131 bilgiler veriyor ki bu bilgiler, \u015fifal\u0131 otlar\u0131n pratik kullan\u0131m\u0131n\u0131 ve tedavi g\u00fcc\u00fcn\u00fc a\u015f\u0131yor.\u201d<\/p>\n<p>Plamena Dimitrova-Ra\u00e7eva\u2019ya g\u00f6re Nikolay Raynov\u2019un defteri, ressam\u0131n k\u0131r \u00e7i\u00e7ekleri tablolar\u0131na y\u00f6nlendiriyor. Nikolay Raynov\u2019un y\u0131ld\u00f6n\u00fcm\u00fc vesilesiyle resimlerinin bir\u00e7o\u011funun \u00e7ekilmi\u015f varyant\u0131n\u0131 i\u00e7eren \u201cNikolay Raynov \u2013 I\u015f\u0131\u011f\u0131n El\u00e7isi\u201d adl\u0131 kitap \u00e7\u0131kt\u0131. Kendisinin, bir fitoterapi ders kitab\u0131nda yer almak \u00fczere farkl\u0131 \u015fifal\u0131 otlar resmetti\u011fi ortaya \u00e7\u0131k\u0131yor. S\u00f6z konusu resimler, fitoterapi ders kitab\u0131nda korunmu\u015ftur, ama orijinallerinin nerede oldu\u011fu bilinmemektedir.<\/p>\n<p>Plamena Dimitrova-Ra\u00e7eva, k\u0131r \u00e7i\u00e7ekleri tablolar\u0131n\u0131n, Bulgaristan\u2019da farkl\u0131 galerilere ve \u00f6zel koleksiyonlara ait oldu\u011funu tespit etti. S\u00f6zlerine g\u00f6re bu Raynov\u2019un bu eserleri, el yazmas\u0131 ile \u00f6rt\u00fc\u015f\u00fcyor. S\u00f6z konusu tablolarda \u00f6n planda \u015fifal\u0131 otlar, arka planda ise do\u011fa, bitkiler, da\u011flar ve bulutlar resmedilmi\u015ftir.<\/p><div id=\"bghab-4081803866\" class=\"bghab-icerik-icine bghab-entity-placement\"><script async src=\"\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js?client=ca-pub-6203283170189293\" crossorigin=\"anonymous\"><\/script><ins class=\"adsbygoogle\" style=\"display:block; text-align:center;\" data-ad-client=\"ca-pub-6203283170189293\" \ndata-ad-slot=\"7303146466\" \ndata-ad-layout=\"in-article\"\ndata-ad-format=\"fluid\" data-full-width-responsive=\"true\"><\/ins>\n<script> \n(adsbygoogle = window.adsbygoogle || []).push({}); \n<\/script>\n<\/div>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/static.bnr.bg\/gallery\/64\/641b47b50398cf885f69b1aff7e632fd.jpg?w=640\" alt=\"\u0421\u043d\u0438\u043c\u043a\u0430\" \/><\/p>\n<p>Plamena Dimitrova-Ra\u00e7eva, \u015funlar\u0131 da belirtiyor: \u201cNikolay Raynov, el yazmas\u0131nda \u00e7ok ilgin\u00e7 ve derin bir ara\u015ft\u0131rma yapm\u0131\u015ft\u0131r. Benim i\u00e7in bu ara\u015ft\u0131rma heyecan vericiydi, \u00e7\u00fcnk\u00fc ilk defa bitkiler hakk\u0131nda bilgiler edindim. Nikolay Raynov, bitkilerin hayat\u0131ndan bahsediyor, \u00e7\u00fcnk\u00fc bitikler, g\u0131da olarak hangi maddeye ihtiya\u00e7 duydu\u011funu, nas\u0131l geli\u015fmesi gerekti\u011fini, nas\u0131l birlikte ya\u015fayaca\u011f\u0131n\u0131 biliyor. Bu da \u00e7ok ilgin\u00e7tir, \u00e7\u00fcnk\u00fc insan bu el yazmas\u0131n\u0131 okuduktan sonra bu d\u00fcnyada her \u015feyin ahenk i\u00e7inde ya\u015fad\u0131\u011f\u0131n\u0131 anl\u0131yor. \u0130nsan ayr\u0131ca bu dengeyi anla\u015fmazl\u0131\u011f\u0131 ve aptall\u0131\u011f\u0131 ile bozabiliyor veya bu ahengin bir par\u00e7as\u0131 olabiliyor. Raynov, bu bilgilere ula\u015fan ve do\u011fan\u0131n gizli yasa ve g\u00fc\u00e7lerine ba\u015fvuran ki\u015filer i\u00e7in \u00f6rnek veriyor.\u201d<\/p>\n<p>Nikolay Raynov\u2019un el yazmas\u0131nda mesela bir bitkinin belli bir bur\u00e7 simgesi alt\u0131nda oldu\u011funda bu bitkinin belli i\u00e7erikleri ve tedavi g\u00fcc\u00fc, \u00e7i\u00e7eklerin ne gibi nitelikleri oldu\u011fu yaz\u0131lm\u0131\u015ft\u0131r.<\/p>\n<p>\u00c7eviri: Rayna \u0130vanova<\/p>\n<div id=\"bghab-31581070\" class=\"bghab-yazi-altinda bghab-entity-placement\"><div class=\"bghab-adlabel\">Reklamlar<\/div><script async src=\"https:\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js\"><\/script>\r\n<!-- bghaber-yaz\u0131-sonu -->\r\n<ins class=\"adsbygoogle\"\r\n     style=\"display:block\"\r\n     data-ad-client=\"ca-pub-6203283170189293\"\r\n     data-ad-slot=\"4222328180\"\r\n     data-ad-format=\"auto\"\r\n     data-full-width-responsive=\"true\"><\/ins>\r\n<script>\r\n     (adsbygoogle = window.adsbygoogle || []).push({});\r\n<\/script><\/div><br style=\"clear: both; display: block; float: none;\"\/>","protected":false},"excerpt":{"rendered":"<p>11 Ocak tarihine kadar Milli Sanat Galerisi\u2019nde \u201cSembolik Manzaralar\u201d \/Do\u011fan\u0131n Gizli G\u00fcc\u00fc\/ adl\u0131 ilgin\u00e7 bir sergi g\u00f6r\u00fclebiliyor. Sergi, Bulgar k\u00fclt\u00fcr tarihinin b\u00fcy\u00fck isimlerinden biri olan<\/p>\n","protected":false},"author":13,"featured_media":12802,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[10],"tags":[],"class_list":["post-12801","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.bghaber.org\/bghaber\/wp-content\/uploads\/2015\/01\/87ec9a6076e186380bf3e6bf3e06a522.jpg?fit=850%2C478&ssl=1","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[],"jetpack_shortlink":"https:\/\/wp.me\/pc2PfJ-3kt","_links":{"self":[{"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/posts\/12801","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/comments?post=12801"}],"version-history":[{"count":0,"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/posts\/12801\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/media\/12802"}],"wp:attachment":[{"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/media?parent=12801"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/categories?post=12801"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bghaber.org\/bghaber\/wp-json\/wp\/v2\/tags?post=12801"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}